May 11, 2013
I think it might be time to explain again just where my inspirations come from.  I am often asked this.“Where DO you get those crazy ideas for your paintings?”, they ask.  And I tell them, “There are secret channels on my television set.”They always want to know what channels I’m talking about.“Can I see these secret channels?”, they want to know.And I have to explain that these secret television channels can only be received by a set (like mine) that is out of whack; that is, damaged in a certain, special way. And besides the uniquely broken TV, you also need rabbit-ear antennae with heavy-duty aluminium foil crumpled in fractals around the tips, forming carefully tuned traps for weak signals that arrive from the depths of interstellar space.  I have never been able to decode the messages, if they are messages; for all I know, the signals I receive are only adverts for products I could never use.  But their very strangeness makes them compelling, so I just grab a loaded paintbrush and sketch what I see.

I think it might be time to explain again just where my inspirations come from.  I am often asked this.

“Where DO you get those crazy ideas for your paintings?”, they ask.  And I tell them, “There are secret channels on my television set.”

They always want to know what channels I’m talking about.
“Can I see these secret channels?”, they want to know.

And I have to explain that these secret television channels can only be received by a set (like mine) that is out of whack; that is, damaged in a certain, special way.
And besides the uniquely broken TV, you also need rabbit-ear antennae with heavy-duty aluminium foil crumpled in fractals around the tips, forming carefully tuned traps for weak signals that arrive from the depths of interstellar space.  

I have never been able to decode the messages, if they are messages; for all I know, the signals I receive are only adverts for products I could never use.  But their very strangeness makes them compelling, so I just grab a loaded paintbrush and sketch what I see.

May 10, 2013
I’m not the kind of artist who, when he sets out to paint a horse, paints a horse.  No, I am the kind of artist who starts out to paint a horse, then gets distracted by all the possibilities engendered by the mere act of thinking about what a horse looks like.  I end up painting a picture of an artist thinking about painting a picture of a horse, with snakes.  And stuff.

I’m not the kind of artist who, when he sets out to paint a horse, paints a horse.  No, I am the kind of artist who starts out to paint a horse, then gets distracted by all the possibilities engendered by the mere act of thinking about what a horse looks like.  I end up painting a picture of an artist thinking about painting a picture of a horse, with snakes.  And stuff.

May 9, 2013
I don’t know anything about painting other than how to do it.And why I do it is the same reason any child does it.  That is, to say “Look what I can do!”But instead of hanging it on my Mom’s refrigerator, I post it online.  I parked my little red sports car overlooking the beach, and gazed out to sea, and looked for figures in the cumulus.  There are so many things to think about that I shall never reach the end of thinking about things.

I don’t know anything about painting other than how to do it.
And why I do it is the same reason any child does it.  That is, to say “Look what I can do!”
But instead of hanging it on my Mom’s refrigerator, I post it online.  

I parked my little red sports car overlooking the beach, and gazed out to sea, and looked for figures in the cumulus.  There are so many things to think about that I shall never reach the end of thinking about things.

May 7, 2013
If there’s a bustle in your hedgerow, don’t be alarmed now; it’s just a Spring clean for the May Queen.

If there’s a bustle in your hedgerow, don’t be alarmed now; it’s just a Spring clean for the May Queen.

May 7, 2013
I’m a little teapot.  You got a problem with that?Then just tip me over and pour me out, chump.

I’m a little teapot.  You got a problem with that?
Then just tip me over and pour me out, chump.

May 4, 2013
"Painting is a language, or family of languages, that anyone can learn. Of course, as with any language, after having learned painting some will be poets of paint, and some will only paint little misspelt notes. But the way of the paintbrush is open to everyone."

March 29, 2013
Portrait of the artist as an old man, with psychosis thrown in for free.

Portrait of the artist as an old man, with psychosis thrown in for free.

February 14, 2013
Dancing PartnersJust in time for Valentine’s Day.  :)

Dancing Partners

Just in time for Valentine’s Day.  :)

7:55pm  |   URL: http://tmblr.co/ZMe7Lxe9zDwL
  
Filed under: surrealism painting 
February 14, 2013
a Roadster Race between the Quick, and the Dead.I painted this one more than a decade ago.

a Roadster Race between the Quick, and the Dead.

I painted this one more than a decade ago.

February 14, 2013
Interlocking trigger mechanism, set to explode at a touch.

Interlocking trigger mechanism, set to explode at a touch.

February 14, 2013

How it began, and where it ended up.

February 11, 2013
"

La peinture n’est pas faite pour décorer des appartements. C’est un instrument de guerre offensive et défensive contre l’ennemi.

(The painting is not made ​​to decorate apartments. It is an instrument of offensive and defensive war against the enemy.)

"

— Picasso

9:29pm  |   URL: http://tmblr.co/ZMe7LxdytuTH
  
Filed under: Picasso painting war 
December 27, 2012
"When I awaken of a morning, feeling like I have fallen from the mezzanine to the lobby, landing badly, I take my medicine. On the way to making me feel better, the medicine makes me feel worse. But eventually it helps me to get over that broken bones sensation, and off to work I go. Children, art is the only thing that keeps me from taking all the medicine at once. Painting justifies the pain, for me. We all need something to justify the pain."

7:15am  |   URL: http://tmblr.co/ZMe7LxaHRCln
  
Filed under: surrealism art painting 
December 19, 2012
I’d rather be painting, but I have to go to work.  I am no starving artist.  But art doesn’t pay. Why should it?  I’d rather be painting; the first thing I see when I awaken is the painting I am currently working on.  I can only study it in the morning, and see if I can see my next moves.  I evaluate how it is going, then I go off to work.I’d rather be painting, and after one more shift at my job, I will be back here to paint, in le atelier d’alien.  Tomorrow is a day off, so I can paint late, and sleep late, then paint all day tomorrow.I’d rather be painting, always. 

I’d rather be painting, but I have to go to work.  I am no starving artist.  But art doesn’t pay. Why should it?  

I’d rather be painting; the first thing I see when I awaken is the painting I am currently working on.  I can only study it in the morning, and see if I can see my next moves.  I evaluate how it is going, then I go off to work.

I’d rather be painting, and after one more shift at my job, I will be back here to paint, in le atelier d’alien.  Tomorrow is a day off, so I can paint late, and sleep late, then paint all day tomorrow.

I’d rather be painting, always. 

7:05am  |   URL: http://tmblr.co/ZMe7LxZguiiY
  
Filed under: surrealism painting work 
December 12, 2012
Impersonating an inert element, on a day off from actual work, and an opium dream about Afghanistan.

I’m less than optimally medicated today, but it shouldn’t be a problem as there is nothing that must be done, and the last true Queen of the Visayan cannibals is tending to my needs.  I’ll probably get around to painting in a while.  I’ve barely gotten up after sleeping late, then having a nap.

Last night (this morning?) I dreamt I was in Afghanistan, dressed in local garb, roaming around the poppy fields and cannabis patches, and drinking morphine-laced tea with smiling Afghani farmers.  They knew from the whiteness of my beard that I was just an old witch-doctor, come seeking medicine for the sick-at-heart.  When I told them that there were people in pain in America, they offered gifts of the best hashish, and opium, as well as dried poppy seedpods, for tea.  They said they hoped America felt better soon.

The smiling farmers also admired my weapons, which I let them examine.  They were armed themselves, in the local fashion, with a motley variety of beat-up Kalashnikovs.  My old lever-action Winchester 94 rifle amused them.  I think some of them might have seen American western movies somewhere, maybe on DVD.   They were also intrigued by my revolver, a Smith and Wesson Model of 1917, chambered for .45 ACP, carried in half-moon clips. It was made for the First World War, and made to last.  They made a joke about the lanyard which looped around my neck, and clipped onto a ring on the butt of the revolver.  They said that if I was afraid of dropping my gun, maybe I shouldn’t carry it.  :)

I woke up, in pain as usual, and for a moment thought of asking for poppy pod tea.  Coffee and Tramadol must suffice for the nonce, at least until I can hike into Afghanistan again.  

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